Like the brightly flowered Flame tree, the artists in this exhibition distinguish themselves wherever they present their work. The Franboyan tree (Delonix Regia), popularly referred to as “Flame tree,” is recognized for its fern-like leaves and flamboyant summer display of orange-red flowers. In many tropical parts of the world, primarily in the Caribbean and Africa, the Flame tree distinguishes itself from the rest of the trees and forest greenery with their strong showy colors. It’s unique, and it does not ask for permission to grow, take up space, and shine.

“Like the Flame tree,” says Ramirez, “these artists spread their regal colored branches into the world and make their voices seen and heard.” Ramirez sees himself reflected in the collection of artists he selected for this exhibit—via Queer identity, Caribbean roots, or medium. “They all represent parts of me,” he adds.

Amongst the artists highlighted in Flame Tree: ​Anthony Peyton Young and Josh Allen excel in their technique and manipulation of graphite; ​Joseph Lázaro Rodriguez, ​Denae Howard​, and ​Mariah GW create eccentric languages of collage work through their personal experiences and identity; ​Devin Osorio,​ ​Amy Bravo,​ and ​Cielo Felix-Hernandez center the LGBTQ+ experience in the Caribbean within their paintings; ​Melanie Delach ​and Ernesto Renda differentiate themselves in their approach to reliefs and color scheme; ​Ricardo Osmondo Francis uses large scale masterpieces on canvas to take a stance; ​Ridikkuluz and Vyczie Dorado introduce surreal, warm compositions that prioritize welcoming and understanding the viewer; ​Kenneth Reveiz’s poetry guides us in new and refreshing directions.